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Each font includes four sets of numerals, as well as a full range of subscript and superscript figures for typesetting factions.
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Three special characters are particularly noteworthy in terms of their design: ¶, ≠, and &. The capital ‘T’, ‘E’, ‘F’, and ‘Z’ each feature slightly angled endings on their horizontal strokes. Several of Matteo’s letterforms include sharp corners, e.g., the ‘A’, ‘N’, ‘M’, ‘V’, ‘W’, and ‘Z’, as well as in the numerals ‘2’, ‘3’, and ‘7’. Letterforms in all seven of the weights are based on the same skeleton, with the ‘O’ maintaining its circular proportions (this makes Matteo’s lighter weights feel wider than its heavier ones). The most prominent feature of the typeface is its geometric construction, which is based on circles and ovals. The shapes of its letterforms, as well as their spacing, have been optimized to create a pleasant reading experience, even in longer texts. Matteo is an excellent selection for use in editorial and corporate identity designs, as well as advertising or annual reports. These italics are oblique in form, with a single-storey ‘a’ in place of the upright’s double-storey ‘a’. Matteo’s italics have an extreme angle (15º), which is quite unusual for a sans serif design. Each of these includes a companion italic. The family includes 14 styles there are seven weights, ranging from Thin to Bold. Designer Diana Ovezea has given the family an Italian name so that users might call fast cars to mind when they see it. Matteo is a family of geometric sans serif fonts.